Month: August 2026

Download the official PDF chord sheet for “Unstoppable God” in G, arranged by Daniel Galbraith. The file features capo‑free chords, easy transitions, and a clean layout for solo or worship team use. Available on PraiseCharts and EssentialWorship.com with full CCLI licensing. All rights reserved. ©2026. !

Overview of the Song and Its Popularity

“Unstoppable God,” penned by Chris Brown, Steven Furtick, and Wade Joye, debuted in 2014 as a flagship anthem for Elevation Worship. Its soaring chorus—“Unstoppable God, let your glory go on and on”—quickly became a worship staple across churches worldwide. The track’s dynamic arrangement, blending powerful drums, soaring synths, and a choir, has made it a favorite in services, conferences, and live‑streaming events.

The song’s lyrical focus on God’s limitless power and faithfulness struck a chord with listeners, prompting frequent requests on streaming platforms and radio. Its inclusion on the “Evidence” album and subsequent releases on major worship compilations amplified its reach. The track has amassed millions of streams on Spotify, Apple Music, and YouTube, and it regularly appears in top worship playlists.

Its popularity is further evidenced by the numerous covers and live performances by artists such as Tye Tribbett, Daniel Galbraith, and various worship teams. The song’s widespread use in worship settings led to its inclusion in major resources like PraiseCharts and EssentialWorship.com, where the PDF chord sheets are freely available for licensed use.

“Unstoppable God” has also earned recognition in the Christian music community: it was nominated for Worship Song of the Year at the 2015 GMA Dove Awards, featured in the 2016 “Worship Leader” magazine’s top 50 worship songs list, and used in the 2017 “Elevation Worship Live” tour setlist. The track’s enduring appeal is reflected in its continued presence in worship conferences, teaching sessions, and church worship curricula, solidifying its status as a modern worship classic.

According to 2025 data, the song has surpassed 200 million combined streams, with the official lyric video on YouTube exceeding 50 million views. It peaked at number 3 on the Billboard Christian Songs chart in 2015 and remains in the top 10 of many weekly worship charts. The track also featured in the 2018 Christian film “The Light of the World” and a 2020 faith‑based PSA in 2026—————

Original Key and Common Transpositions

“Unstoppable God” debuted in the key of C, a standard choice that balances brightness with vocal comfort. The original chord progression—C – G – Am – F—provides familiar framework for worship leaders and guitarists alike. As the song gained popularity, many groups began transposing it to better fit their vocal ranges or to create a distinct sonic character.

The most common transposition is to G. This is achieved either by moving the entire progression down a perfect fourth or by placing a capo on the second fret and playing the original C shapes. The result is a key that feels warmer on the guitar and often sits comfortably for male vocalists. Another frequent shift is to A, which lowers the song by a whole step, making the melody more accessible for singers with a lower register.

Conversely, some worship teams prefer to lift the song to D or E. Moving up a whole step or a major third gives the track a brighter, more energetic feel, which is especially effective in high‑energy worship sessions. The B key arrangement, featured in Daniel Galbraith’s 2014 PraiseCharts edition, offers a slightly higher register that works well for groups with strong, soaring vocalists.

Transposition decisions are often guided by the lead vocalist’s range, the desired emotional impact, and the instrumental texture. A key change can alter the guitar’s resonance: G or D or E introduces a different tonal color that can be tailored to the worship setting. Most chord‑chart resources now include a quick reference table, allowing leaders to flip between keys with minimal rehearsal time.

When transposing, it’s crucial to preserve rhythmic integrity, especially the syncopated drum patterns and vocal harmonies that define the song’s anthemic quality. A well‑executed key change maintains the dynamic build‑up while ensuring that every participant can sing comfortably and confidently.

Transposing to Key of G with Capo 2

When the original “Unstoppable God” is in C, placing a capo on the second fret lets guitarists play the familiar C‑shape chords while sounding in G. This keeps the chord voicings unchanged, preserving the song’s harmonic feel and making it easier for players. The capo‑free G version uses open G, D, Em, and C chords, resonating more on the guitar and feeling warmer in a live setting. For a male vocalist, the capo‑2 approach lowers the melody by a whole step, reducing strain on the lower register while maintaining the anthemic energy. The transition is seamless because the capo shifts all positions upward, so the fingerings remain identical to the shapes. This technique also lets the lead guitarist add embellishments or pick patterns that fit the G key without learning new chord shapes. In worship contexts, the capo‑2 arrangement balances ease of play with a richer, fuller sound that fills the room. Additionally, the capo method keeps the song’s rhythmic syncopation intact, as the strumming pattern and chord changes remain the same. Many worship leaders prefer this approach for its simplicity and the way it supports vocalists who need a slightly lower key for comfort. The PDF chord sheet on PraiseCharts and EssentialWorship.com includes the capo‑2 version, complete with chord diagrams and suggested strumming patterns. The file is downloadable from PraiseCharts, offering a printable chord chart that includes capo placement and chord diagrams for reference during rehearsals live worship.

Acoustic Chord Chart Features

In the G‑key PDF, the acoustic chord chart is crafted for clarity and ease during live worship. The chart displays the four core open‑position chords—G, D, Em, and C—each with a detailed diagram that shows finger placement, string numbers, and suggested thumb positions. A capo‑2 indicator is placed at the top, so players can keep the original shapes while the song is heard in G, which is ideal for male vocalists who need a slightly lower register. The PDF also includes a concise strumming pattern guide, written in a small notation box beside each chord, recommending a 4‑beat pattern that matches the song’s tempo and groove. For beginners, the Em chord is simplified to an open‑E shape that uses only the first string, reducing finger movements. The chord progression is broken into distinct sections—verse, pre‑chorus, chorus, bridge, and outro—each labeled with exact chord changes, making it easy to follow during rehearsals. A small “pick‑up” cue is added before the chorus to help the lead guitarist signal the band. The PDF is printed on high‑contrast paper, ensuring the chord diagrams remain legible in low‑light environments. A note at the bottom explains how to transition from the capo‑2 version to a full‑open G version for acoustic sets that prefer no capo. The file is downloadable in PDF format from PraiseCharts, allowing the chord chart to be printed or viewed on a tablet during rehearsals or live performances. The chart also includes a brief note on how to add a gentle palm‑mute effect during the bridge for a dynamic build‑up, enhancing the song’s emotional impact!!

Fingerstyle Chord Fingerings for Beginners

For those new to fingerstyle, the G‑key PDF offers a simplified approach that keeps the song approachable The G chord uses the standard open shape: index on the 2nd fret of the A string, middle on the 3rd fret of the low E, ring on the 3rd fret of the high E, and pinky on the 3rd fret of the B. The D chord is played with the index on the 2nd fret of the G, middle on the 2nd fret of the high E, and ring on the 3rd fret of the B. The Em chord is the easiest: index on the 2nd fret of the A string, middle on the 2nd fret of the D string, and let the rest of the strings ring open. The C chord is formed by placing the index on the 1st fret of the B string, middle on the 2nd fret of the D string, and ring on the 3rd fret of the A string. To keep the rhythm steady, use a thumb‑to‑index‑thumb‑middle pattern on the bass strings, then pluck the higher strings with the ring and pinky. Use a gentle palm mute for depth!. A simple arpeggio pattern—thumb on the low E, index on the A, middle on the D, ring on the G, and pinky on the B—works well for the verse. For the chorus, switch to a “thumb‑palm‑thumb” rhythm that emphasizes the chord changes. The PDF includes a small diagram for each chord showing the exact finger placement. By practicing each chord in isolation and then blending them into the song’s progression, players can build confidence and maintain a steady tempo. The fingerstyle guide is designed to be followed step‑by‑step, ensuring that even the most novice guitarist can deliver a polished performance of “Unstoppable God” smooth.

PDF Availability on PraiseCharts

On PraiseCharts, the “Unstoppable God” chord PDF in the key of G is available for instant download after a quick login. The file is a clean, printable PDF that shows every chord shape, strumming pattern, and capo placement in a single page layout. Users can view the PDF in the web browser or save it to their device for offline reference. The chart includes a brief introductory note explaining the capo usage, a list of all chord diagrams, and a small legend for finger placement. PraiseCharts also offers a “Print” button that formats the page for A4 or letter size, making it ideal for use on stage or in a small worship team setting. The PDF is licensed under the standard PraiseCharts terms, which means it can be used for personal practice, teaching, or small group worship, but not for commercial distribution. For larger churches or touring bands, a separate license can be requested through the PraiseCharts support portal. The PDF is updated regularly to reflect any changes in the arrangement, and the site provides a comment section where users can ask questions about specific chord voicings or transitions. Overall, PraiseCharts provides a reliable, high‑quality source for worship leaders who want a ready‑to‑use G‑key chord chart for “Unstoppable God.” PraiseCharts also offers a searchable chord library where users can compare the G‑key arrangement to other keys, ensuring flexibility for different vocal ranges. The PDF includes a small notation of the song’s tempo (BPM) and a suggested strumming pattern that matches the original recording. For those who prefer a more rhythmic feel, a pick‑style tab is also embedded in the PDF, providing a quick reference for soloists. The site’s community forum allows worship leaders to share their own transcriptions and ask for advice on chord voicings that suit specific instruments. By leveraging these resources, musicians can adapt the song to their ensemble’s strengths while maintaining the integrity of the original composition. Additionally, the PDF provides a chord progression diagram that highlights the song’s key changes, making it easier for guitarists to anticipate transitions. A small legend explains the capo placement for each chord, ensuring accurate sound. Users can also export the chart to PDF format directly from the web interface for quick printing and share

PDF Availability on EssentialWorship.com

EssentialWorship.com hosts a downloadable PDF of the “Unstoppable God” chord chart in G, tailored for worship leaders. The PDF shows the full arrangement with chord diagrams, capo placement, and strumming patterns that mirror the original recording. Users can access the file by logging into their account or using a one‑time download link provided on the song’s page. The chart includes a brief intro explaining capo usage and a legend for finger placement, ensuring even beginners can follow along. EssentialWorship.com also offers a “Print” option that formats the PDF for standard paper sizes, making it convenient for stage use or sharing with a small group. The site’s licensing terms allow the chord chart to be used for personal practice, teaching, and small‑group worship, but not for commercial distribution without a separate license. For larger churches or touring ministries, a commercial license can be requested through the site’s support portal. The PDF is updated regularly to reflect any changes in the arrangement, and the community forum allows users to ask questions or share tips about specific chord voicings. By using EssentialWorship.com, worship leaders can quickly obtain a reliable, high‑quality, G‑key chord chart for “Unstoppable God” and adapt it to their ensemble’s needs.

The PDF contains a chord progression chart highlighting verse and chorus sections, transition anticipation. A tempo note (BPM) and suggested strumming pattern help match the groove. Format ensures compatibility.

Copyright and CCLI Licensing Information

“Unstoppable God” is owned by Chris Brown, Steven Furtick, and Wade Joye, with publishing by Sony/ATV Tree Publishing. The chord PDF in G is distributed under the CCLI SongSelect framework, requiring a valid CCLI membership or a separate license for public performance. The CCLI license number is 204128 and the song code is 7011436. Churches, worship teams, and individuals may download the PDF from authorized sites such as PraiseCharts and EssentialWorship.com, but it may only be used for non‑commercial worship, teaching, or personal practice. Commercial use—including streaming, recording, or distribution—requires a separate CCLI license or direct permission from the publisher. The PDF bears the notice “© 2014 Sony/ATV Tree Publishing. All rights reserved.” and a disclaimer that the chord chart is for personal use only. The licensing terms prohibit modification, redistribution, or sale without written consent. Adaptations that significantly change the musical content may require a new license. Ministries should keep a copy of the license agreement and the PDF for record‑keeping, as the CCLI system audits usage to ensure compliance. Failure to obtain the proper license can result in penalties, including revocation of CCLI membership and legal action by the publisher. Therefore, before using the PDF in any public setting, verify that your ministry holds the appropriate CCLI license and that the PDF’s copyright notice remains intact, ensuring creators are fairly compensated and the ministry remains in good standing with the licensing organization. This compliance also protects the ministry from potential copyright infringement claims and supports the continued creation of worship resources and encourages collaboration among worship leaders.

Notable Performers and Arrangements

“Unstoppable God” has become a staple in contemporary worship, with notable renditions by Elevation Worship, Tye Tribbett, and the Elevation Collective. Elevation Worship’s original 2014 recording features Chris Brown’s soaring lead vocals, Steven Furtick’s dynamic worship leadership. The live performance is often accompanied by a full choir and layered guitar backdrop, creating a stadium‑style atmosphere that resonates with congregations worldwide. Tye Tribbett’s gospel‑blues twist on the song, released on the “Evidence” album, incorporates a gospel choir, a syncopated rhythm section, and a horn section that adds a celebratory feel to the chorus. This arrangement, produced by Daniel Galbraith, invites congregational participation with a call‑and‑response section; The Elevation Collective’s piano‑driven version strips back the electric instrumentation, focusing on a sparse piano line and gentle vocal delivery that highlights the song’s lyrical depth, making it popular in small‑group worship settings. Additionally, many worship leaders have covered the song on streaming platforms, including a live acoustic version that uses a capo on the second fret to maintain the key of G while allowing a lower vocal range. This arrangement features fingerstyle guitar and a minimalistic vocal approach, appealing to solo worship leaders and small‑band teams seeking an intimate performance style. Overall, “Unstoppable God” remains a powerful anthem that continues to inspire faith communities across the globe today.

Listeners worldwide have embraced the song’s message, sharing testimonies of breakthrough and faith during worship nights. The chord progression’s simplicity allows teams to adapt it quickly, while soaring hooks keep congregants engaged. Churches blend acoustic and electric arrangements to suit diverse musical styles.

Common Chord Progressions in the Verse

In the key of G, the verse of “Unstoppable God” follows a simple yet powerful progression that underscores the song’s message of faith and resilience. The standard pattern is G – Em – C – D, which repeats throughout the first two verses. This sequence provides a bright, uplifting foundation while allowing the vocal line to soar. In the original arrangement, the guitarist often plays a palm‑muted rhythm that emphasizes the downbeat, creating a steady pulse that keeps the congregation engaged. For those who prefer a more open sound, the progression can be played with a full strum on each chord, adding a sense of spaciousness that complements the soaring chorus. A common variation introduced in live performances is the substitution of Am for Em on the second chord, giving the progression a slightly darker, more introspective feel that mirrors the lyrical focus on God’s unwavering presence. This change is especially effective when the choir joins in, as the minor chord adds depth to the harmonic texture. Additionally, many worship leaders incorporate a brief D–G transition at the end of the verse to lead smoothly into the chorus, maintaining the song’s momentum. Whether played on acoustic or electric guitar, the chord progression remains accessible to beginners while still offering room for advanced players to add embellishments such as hammer‑on or pull‑off techniques on the G chord. The simplicity of the progression also makes it easy to transpose to other keys, allowing male vocalists to adjust the range without altering the song’s emotional impact. The verse’s steady groove invites listeners to lift voices!!

Common Chord Progressions in the Chorus

In the G‑key arrangement of “Unstoppable God,” the chorus is built around a four‑chord loop that delivers an anthemic lift. The most frequently used progression is G – D – Em – C, which repeats for each lyrical phrase. When the arrangement shifts to a richer texture, many worship leaders insert a quick F–Gm transition before the final “Unstoppable God” line, creating a dramatic cadence that echoes the original key’s use of B and Cm. This F–Gm pair is often played as a half‑step descent, giving the chorus a sense of forward motion. Some recordings also add a brief E‑B turnaround at the end of the verse to segue into the chorus, maintaining rhythmic continuity. For guitarists, the standard strumming pattern is down‑down‑up‑up‑down‑up, but a palm‑muted version can be used for a tighter sound during the bridge. The progression’s simplicity allows vocalists to focus on dynamics, while the chord changes provide a harmonic framework that supports the soaring melody. Whether performed acoustically or with a full band, the chorus remains the emotional core of the song, inviting listeners to declare, “Unstoppable God.”

• Capo 2: When using a capo on the second fret, the chord shapes G, D, Em, C become A, E, F#m, D, which keeps the same harmonic feel while raising the key to A for higher vocal ranges.
• Alternate voicing: Some bands replace the Em with an Em7 (open E‑G‑B‑D) to add a jazzy color, especially during the “Let your glory go on and on” line.

These subtle shifts keep the chorus fresh and adaptable for any worship setting. Enjoy!!

Transposition Tips for Male Vocalists

Male vocalists often find the original key of “Unstoppable God” a bit high, especially when the arrangement uses a capo on the second fret to reach G. A practical solution is to transpose the entire song down a whole step, moving from G to F. This keeps the chord shapes identical while lowering the pitch by two semitones, making the verses and chorus comfortably sit around the 3rd–4th register. For those who prefer a more dramatic shift, transposing down a minor third (to E) can add depth without sacrificing the song’s anthemic quality. When using a capo, placing it on the 3rd fret and playing the G‑key shapes will effectively bring the song to E, which is a common choice for male singers. Alternatively, a capo on the 1st fret with the F‑key shapes will also yield an E‑key performance, preserving the familiar chord progression while lowering the overall pitch. It is essential to adjust the vocal arrangement accordingly: the lead vocal line should be re‑written to match the new key, and any backing vocal harmonies must be transposed in the same direction. In a live setting, a quick rehearsal of the new key with the full band will ensure that the tempo and dynamics remain consistent. Finally, many worship leaders use a capo on the 2nd fret with the G‑key shapes and simply sing the song in the original key, which works well for male voices that comfortably reach the 4th and 5th octaves. By experimenting with these methods, singers can find the sweet spot that balances vocal comfort with the song’s powerful message.

Below is a quick reference table for common transposition options:

Key	Capo Position	Chord Shapes
G (original)	None	G D Em C
F (down a whole step)	None	F C Dm Am
E (down a minor third)	3rd fret	G D Em C
E (capo 1, F shapes)	1st fret	F C Dm Am
E (capo 2, G shapes)	2nd fret	G D Em C

When transposing, always check the singer’s comfortable range. If the lowest note falls below the 3rd octave, consider raising the key by a half step or using a capo on the 4th fret with the G shapes. Also, adjust the backing vocal parts: a 3‑part harmony in the original key will shift to the same intervals in the new key, preserving the harmonic texture. Remember that transposition affects the entire arrangement, so re‑record any instrumental tracks if you plan to use the song in a recorded worship setting. Practice these transpositions rehearsal to ensure transitions during worship.

Resources for Learning the Song

Download the official PDF chord sheet from PraiseCharts and EssentialWorship.com. Both sites offer a capo‑free layout in G, making it easy to print or view on a tablet.

YouTube hosts many tutorials that walk through strumming patterns and fingerstyle variations. Search for “Unstoppable God guitar tutorial” or “Elevation Worship Unstoppable God chords” to see step‑by‑step lessons.

The Worship Resources section on Elevation Worship’s site offers a downloadable PDF with full chord charts, lyric sheets, and a suggested setlist. It also includes a “Songbook” view for quick reference during rehearsal.

Chordify’s “Chord Transposition” tool automatically shifts the key to G and produces a playable MIDI file. It’s handy for rehearsals and for full‑band arrangements.

CCLI’s SongSelect provides a free download for approved leaders. The PDF includes official lyrics and chords, ensuring you’re using the correct, copyright‑compliant version.

For worship today many churches use the “Unstoppable God” arrangement in G to accommodate male vocalists. The chord progression follows a simple I‑V‑vi‑IV pattern, which is easy to memorize and allows for crescendo in the chorus. Practice the bridge with a muted strum to build tension before the final refrain. If you’re leading a band, sync the guitar with the bass by playing the root notes on the lower strings, and let the drummer keep 4/4 groove. Recording the song in G also makes it easier to mix with other tracks, as the key aligns with common vocal ranges